Error In Flux (2017)
In Error In Flux I create an oscillation of physical objects and space being erased through digital chromakey effects and then the digital representation in video being erased through physical lights placed on top of the projection. Within the choice of domestic objects I want to represent the loss of identity through the means of the blue paint, while also references the chromakey process in video editing. As the space is surveyed through video, I operated on a visual tangent as the objects blend together to create new forms and space. The push and pull of the projection and lights operate to reveal something through erasure. At the end of its cycle, the video unifies with the physical objects to present a leftover destruction through its own errors.
Erosion and The Hive (2017)
bErosion daErosind the Hive
Sediment is a review on the erosion of organic and digital materials . The video moves from each location as it depicts differing sections of decay and weathering of presented elements. The broken components echo to the warping of form and memory over time, and through that distortion they merge into new configurations.
“Excvations” surveys the continuation of memories within abandoned structures and the narrative that follows in each space as new observers create new interpretations by finding the layout of many abandoned areas as a form of abstraction