In Error In Flux I create an oscillation of physical objects and space being erased through digital chromakey effects and then the digital representation in video being erased through physical lights placed on top of the projection. Within the choice of domestic objects I want to represent the loss of identity through the means of the blue paint, while also references the chromakey process in video editing. As the space is surveyed through video, I operated on a visual tangent as the objects blend together to create new forms and space. The push and pull of the projection and lights operate to reveal something through erasure. At the end of its cycle, the video unifies with the physical objects to present a leftover destruction through its own errors.